Do characters on long dramas grow or just drift? Compare Don Draper in season 1 and season 7

Popularity Index: 3 Updated at 2026-10-10 01:26 UTC

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The best cliffhangers are character decisions not bombs: Tywin's death mid-scene beats any explosion What episodic television does with character development that film simply cannot Skyler White was written as an obstacle and audiences punished the actress for it Walter White works because every season peels another layer off his decency Recasting a lead mid-series almost never survives the audience's attachment to the original face Supporting characters written to fill a slot often become fan favorites by accident Which TV drama character deserves a spinoff built entirely around them? Tony Soprano made audiences root for a monster and that changed what TV characters could be Audiences turn on characters the moment the writers seem to turn on them Flashbacks work best when they contradict the character's present self rather than decorate it

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