How do you write a psychological thriller where the reader guesses right early and still keeps reading

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The twist in a psychological thriller should recontextualize behavior instead of erasing it Manipulation has to start before page one for a psychological thriller to feel earned A psychological thriller only works when the narrator's lie is as plausible to the reader as to the character The psychological thriller leans on memory loss more than any other device and it still lands when the reader shares the confusion Where do you hide clues in a mystery thriller when the pace leaves no room for a slow read The hero of a psychological thriller is usually the last person to understand what happened Interior monologue can smother a psychological thriller when the reader never gets an outside check How thriller writers keep tension alive across four hundred pages without exhausting the reader Gaslighting is a mechanism rather than a plot twist and the psychological thriller keeps confusing the two Does a thriller need a villain on the page or can the threat stay entirely offscreen