Soundtracks
Popularity Index: 157 Updated at 2024-12-21 17:04 UTCSites
Subcategories
Radio program compilation albums
Soundtrack mass media
Soundtracks by record label
Soundtrack by medium
Soundtracks by media franchise
Soundtrack albums by date
Soundtracks by composer
Olympic albums
Video game soundtracks
Soundtracks by genre
Soundtracks published posthumously
Soundtracks by artist
Soundtrack awards
Soundtracks by language
Soundtrack compilation albums
Film soundtracks
Alternative versions of soundtracks
Television soundtracks
Professional wrestling music
Soundtrack record labels
Topics
Leitmotifs let a composer remind you of a character without saying a word
Ennio Morricone whistled the theme for The Good the Bad and the Ugly himself
Why do tie-in albums for kids' movies outsell the movies' own scores
Why do video game soundtracks loop so seamlessly without getting annoying
Franchise sequels reuse the theme song until it stops being music and becomes the brand
The James Bond theme is the most successful franchise music ever written and it is one riff
Video game soundtracks get full orchestral tours while the games themselves get remade
Releasing an original game OST on vinyl has become a serious collector market
What is the difference between an original score and a soundtrack album of licensed songs
Why do some movie trailers use music that never appears in the actual film
How does a film composer decide where the score should stop and silence begin
The two-note Jaws motif is one of the most effective themes in film history
Hans Zimmer's use of the Shepard tone makes the Dunkirk score feel endlessly tense
Studio Ghibli scores by Joe Hisaishi are as memorable as the animation itself
Visual albums like Beyonce's Lemonade blurred the line between music video and film
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