Arts occupations - Category Home
Arts occupations - Topics
Who really counts as a local artist when studios are rented remotely
Substack newsletters replaced the arts section for a small paying audience
Do we still have critics or only content producers with opinions?
The gap between the artist you perform online and the one in the studio
The emerging artist label starts to feel like an insult after ten years
Why galleries sign artists to exclusive territory agreements
The first ten minutes in the studio decide the whole day
Keeping a day job does not make you a part-time artist
Creative block is usually fear wearing a deadline's clothes
Being the only artist in your family means explaining yourself at every dinner
How much of an installation is the artist and how much is the crew
Nobody teaches art students how to price their own work
Residencies and festivals are not the same thing and artists pay for the confusion
Art teachers are trained as teachers and rarely as artists
Older women artists are hired to teach and rarely invited to headline
Expression needs a routine more than it needs inspiration
Why some curators now refuse the auteur label
Freelance rates for reviews have not moved in twenty years
Motherhood and studio time are still treated as opposing commitments
Impostor syndrome hits hardest right after your first solo show
Arts administrators are the least visible and most exhausted part of the sector
Freelance illustrators are asked to hand over full copyright for a flat fee
Do you stop being an artist when you take a gallery job?
Consignment terms matter more than the commission percentage
Why performers are paid so little for so many hours
Illustrators quote day rates but clients ask for a full buyout
The pay gap between male and female artists narrows only at the top
The difference between an Art Institutes certificate and a BFA
The logistics of installing a work that weighs two tons
What to ask current students before committing to an art school
Why conceptual art looks like administration from the inside
How to approach a commercial gallery with a portfolio and no referral