Film Sound

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Sound effects Surround sound Sound design Dubbing Sound Mixing Dialogue Recording Foley

Why streaming compression ruins a carefully mixed surround track Using total silence to make a jump scare land harder What Dolby Atmos adds that a standard 5.1 mix can't Mixing for IMAX vs a laptop: where the dialogue goes to die Building city ambience so a street feels alive under the dialogue Designing the voice and movement sounds of a sci-fi creature from scratch Recording clean dialogue outdoors when there's a highway just off camera ADR vs production sound: when actors re-record their own dialogue Room tone and why editors guard it like gold Sound designer vs re-recording mixer: what each one is responsible for Why dialogue in some Christopher Nolan films is genuinely hard to understand How the sound of a punch is faked with a cabbage and a phone book How boom operators keep the mic out of frame during a long tracking shot What a Foley artist actually does and why a sound library can't replace them

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