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Redemption Good versus evil Identity and belonging Power and corruption Love and loss

Southern gothic and the horror of inherited family history How much violence does a horror story need to earn its rating Adventure plot armor: why nobody believes the hero will die Why Perrault's Cendrillon and Grimm's Aschenputtel end so differently How horror fiction handles the final girl problem on the page Why they lived happily ever after is a convention and not a claim Does horror need a moral or is dread enough on its own? Why crime fiction keeps returning to corrupt small towns Pourquoi tales that explain an animal's features without any science Gothic horror vs body horror: what each tradition does to a reader Military science fiction and the politics of invented wars Enemies to lovers: how the trope avoids reading as abuse Colonial baggage in classic adventure fiction and how to handle it How much investigative accuracy does crime fiction owe readers? Writing splatterpunk without leaving readers numb

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