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Why are museums replacing quiet galleries with ticketed immersive Van Gogh experiences? Why do museum late night openings pull younger crowds than the daytime shows? Why did a single returning painting draw queues around the block at the Prado? What does the Met Gala actually celebrate — art — fashion — or pure celebrity? Climate protesters glued themselves to a Van Gogh frame — did attacking the artwork help or hurt the cause? Why does a Louvre staff strike shut down the most visited museum on earth within hours? What does a record opera broadcast into cinemas mean for the future of the art form? A new Banksy appears overnight — who decides whether it gets protective glass or a pressure washer? Who really decides which living artists get a museum retrospective and which get ignored? Which museums are finally returning looted artifacts and why is restitution accelerating now? How did the Vermeer blockbuster at the Rijksmuseum change how museums think about timed tickets? Christie's sold a Magritte for $121 million — what does the record say about the art market? Who was behind the Gardner heist — and why are the empty frames still hanging 30 years later? How do auction guarantees shape which artists ever get a price record? Why are Gulf states pouring money into new biennales and outposts of Western museums?

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